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Il Canto del cigno secondo Castellucci
Visto al Teatro Astra di Torino il 31/10/2021 La scelta di un tema e di un titolo “classico” (in riferimento a moduli performativi consolidati) non è inusuale per le pièce di Romeo Castellucci. Quello che sorprende, è che anche la messa in scena di Schwanengesang D744 (“Il canto del cigno”) appaia inizialmente tradizionale. I
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Sugar, by Mabel Thomas
Seen in screen version, 2021 Edinburgh Festival Fringe Review by Federica Balbi – an all-round monologue (waiting for the fourth star) What if the president of the United States was a stripper? This is how Mae is: provocative, straightforward, and energetic. Her monologue is a collage of stories and gags from her childhood
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We Dig
Seen at Ovalhouse Theatre in London on the 18th October, 2019 Review by Federica Balbi – destructive power Loud noise, sweat and dust. For a performance that breaks the rules, breaks every boundary, and literally tears down the theatre. The stage exists no more, in its place, soil, and
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Goliath in the Water
Seen at Edinburgh Festival Fringe on the 24th of August 2019 Review by Federica Balbi – Sweet magic A woman and two men dance in a suspended atmosphere. They find a hundred ways of swimming without water. They get close to the art of miming to tell their story of life and loss.
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Hearty
Seen at Edinburgh Festival Fringe on the 23rd of August 2019 Review by Federica Balbi – Trans-power Iron wings with knives instead of feathers, and a long straight light-pink tale. This is the creature who moves on scene, this is the creature who fights for existing. A shelter is slowly built out of
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Unicorns, Almost
Seen at Edinburgh Festival Fringe on the 23rd of August 2019 Review by Federica Balbi – Sepia poetry Three weeks gone and the combatants gone returning over the nightmare ground we found the place again, and found the soldier sprawling in the sun. […] An homage to Keith Douglas, Unicorns,
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Taboo
Seen at Edinburgh Festival Fringe on the 22nd of August 2019 Review by Federica Balbi – Interesting story Most people ignore who Käthe Petersen was – who she really was. Even her Wikipedia page is extremely synthetic, and not exhaustive at all. In Taboo, a fictional talk show where it is talked about ʻthings
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From the Top
Seen at Edinburgh Festival Fringe on the 21st of August 2019 Review by Federica Balbi – Skilled and ironic Dance is power, in every sense. In From the Top, this is very clear: power is in the precise movements of the dancers, power is what is contended between the two of them,
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Floating Flowers
Seen at Edinburgh Festival Fringe on the 21st of August 2019 Review by Federica Balbi – Aerial blossoming 02Floating Flowers @Chou Mo If flying lanterns were floating flowers and floating flowers were humans, how would they dance? Inspired by a Taiwan’s Buddhist ceremony, this performance is a mesmerising encounter between ritual tradition
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Looping: Scotland Overdub
Seen at Edinburgh Festival Fringe on the 20th of August 2019 Review by Federica Balbi – Interesting experience Looping: Scotland Overdub brings audience participation to the next level. It is the dance of a community, between tradition and innovation. An impacting performance with a strong political message. No seats are to be taken
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